I was able to highlight the small bit of hiss/silence and get rid of it without (to me) any noticeable change in the audio I wanted to hear. The recording was extremely quiet and had hiss in the background. In one of my concert recordings, the artist wandered off stage and played his electric guitar off amp and sang without any amplification.

Spectral De Noise – I’ve only used this once so far. For me – great because I like to listen back to my recordings in headphones. Then you can attenuate or replace from adjacent area. While both Audition and Audacity give good spectrogram views, RX 7 allows you to vary colors and level views so you can really see and highlight the offending noises. For me, this is proving to be extremely helpful to reduce or eliminate those loud whistles that some audience folks insist on doing at various times. Spectral Repair – I’ve been learning to rely on the spectrogram views. Deselect output clicks only and render and the claps are almost totally gone or diminished so much that if you listen in headphones, they no longer bother you.ĭe Reverb – A subtle touch is required here, but for my recordings that had a bit of echo off the walls of the venue, this has helped to bring the audio of the instruments and vocals a bit more up front. Select output clicks only and slide the choices up and down til you only hear the claps.

Honestly, for the type of recordings I have, these haven’t been as helpful as of yet.Ĭlip Gain – although available pretty closely in Audacity, it’s been very easy to use to boost artist banter in between songs.ĭe –Click – probably the most outrageous module I’ve ever used to eliminate or drastically reduce clapping from people sitting close by. The promo videos constantly highlight music rebalance and music repair assistant features. I’m still a neophyte as far as using all the capabilities of both Audition and Izotope – but – here’s what I’m finding about RX 7. Until recently, I’ve been using Audition 3.0Ī few months ago I bought Izotope RX 7 standard as an adjunct. The recordings I work with are simple 2 channel stereo concert recordings from either AT933 cards or hyper caps or audio reality binaurals.

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